Information about 506 original versions of recordings by singer and entertainer Elvis Presley. See when recorded and by whom, with interesting historical data. Hear soundbites of original versions.
This is the original site of information about original versions of numbers recorded by Elvis Presley, which I began in about 1995. Other sites have copied it, some have translated it, but this site is the one that is best maintained.
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The Eyes Of Texas recorded by Elvis on Wednesday, 10 July 1963;Studio
Written by: John L. Sinclair
Originally recorded by John Sinclair in 1903
Hear Elvis's version on: Elvis Sings Flaming Star; Double Features: Viva Las Vegas & Roustabout
Encouraged by Lewis Johnson, John Lang Sinclair wrote "The Eyes Of Texas" in 1903, basing the tune on the traditional "I've Been Working On The Railroad." It was first performed on 12 May 1903 at the Hancock Opera House in Austin, Texas, by the Varsity Quartet, accompanied by John Sinclair himself on banjo. Sinclair would sing the song in blackface at later shows. Elvis recorded it for the film "Love In Las Vegas" (US title "Viva Las Vegas") in a medley with "Yellow Rose of Texas."
Did Sinclair really record the number in 1903? Other candidates for original recording?contact me.
The First Noel recorded by Elvis on Sunday, 16 May 1971;Studio
Written by: arr. Elvis Presley
Originally recorded by Tally-Ho! in 1902
Hear Elvis's version on: Elvis Sings The Wonderful World Of Christmas; If Every Day Was Like Christmas
"The First Noel" is a seventeenth century Christmas carol, originating from the west of England, where it was originally titled, "The First Nowell" (note spelling), whose composer is unknown. The oldest printed copy of both music and text appeared in "Christmas Carols," by William Sandys in 1833. Tally-Ho! was a male vocal trio, whose members were Ernest Chester (tenor), William Doust (tenor), and Eric Farr (bass). Their recording of "The First Nowell" was made in London in 1902 for Edison-Bell (6629).
The First Time Ever I Saw Your Face recorded by Elvis on Monday, 15 March 1971;Studio
Written by: MacColl
Originally recorded by Ewan MacColl and Peggy Seeger in 1962
Hear Elvis's version on: Walk A Mile In My Shoes—The Essential 70's Masters Disc 1
Long before Roberta Flack's 1972 number one version (recorded in 1969 for her album "First Take"), "The First Time Ever I Saw Your Face" was recorded by the woman for whom it was written, Peggy Seeger, the sister of American folk music legend Pete Seeger. She made the recording together with the man who wrote the song for her, Ewan MacColl, and it was included on their "New Briton Gazette, Volume 2" album. MacColl wrote the song in 1957 (some reports give 1956) in less than ten minutes, whilst on the phone with Peggy Seeger: he was in London and she was in Los Angeles (he was not allowed into the USA because of his political tendencies, which the USA perceived as anti-American). She sang the song in concert that same evening. Flack's version gained notice when it was used as background music in the Clint Eastwood film "Play Misty For Me." Ewan MacColl, the writer of "The First Time Ever I Saw Your Face," was born Jimmie Miller in 1915 in Salford, Lancashire. He later took the name of a nineteenth century poet. He was the father of Kirsty MacColll (one of Kirsty's first hit records was "There's A Guy Works Down The Chip Shop Swears He's Elvis" and very good it was, too!). Ewan MacColl died on 22 October, 1989, following heart surgery.
The Fool recorded by Elvis on After April 1959;Studio
Written by: Ford
Originally recorded by Sanford Clark in 1956
Hear Elvis's version on: A Golden Celebration; Elvis Country
Writing credit for this song was given to Naomi Ford, Lee Hazlewood's wife, although Hazlewood probably wrote the number himself. According to Clark, the different drum sound on the record was made by splitting a piece of bamboo and beating it on a guitar case! Clark's version was originally released on the MCI label, but was re-released a few months later on the Dot label, when it became a hit. Elvis recorded this number originally at home in Goethestrasse, Bad Nauheim, Germany, whilst on military service. Over ten years later, he used the number again during the "Elvis Country" recording session on Thursday, June 4, 1970.
The Girl Of My Best Friend recorded by Elvis on Monday, 4 April 1960;Studio
Written by: Ross; Bobrick
Originally recorded by Charlie Blackwell in 1959
Hear Elvis's version on: From Nashville To Memphis CD 1
Charlie Blackwell was born in Seattle, Washington, on 11 May, 1921. As a child he was trained as a classical pianist, but he soon became interested in jazz and by fourteen had his own quartet. Following a car accident in which both his legs were broken, he began to play drums and percussion as part of his recovery therapy. During his twenties, Blackwell worked as a drummer with Stan Kenton, Dave Brubeck, and other bands, and also started to develop his own singing style, eventually becoming a popular singer in clubs throughout the western states of the USA. He was still performing his lounge act in the mid-1970s. Original pressings of the LP "Elvis Is Back" listed (Beverly) Ross and (Sam) Bobrick in the songwriter credits, whereas Blackwell's recording shows Ross and Barry. To add to the confusion, some later issues of Elvis's version list Bobrick and (Ross) Butler. The song remains the same. Charlie Blackwell's original recording of "The Girl Of My Best Friend" was his fourth single release on the Warner Bros. label, number 5132, with performers listed as Charlie Blackwell with The Big Sound of Don Ralke. The release was reviewed in the Billboard issue of 30 Novemebr 1959, when the A-side was indicated as "Choppin' Mountains."
The Impossible Dream recorded by Elvis on Saturday, 10 June 1972;Concert
Written by: Leigh; Darion
Originally recorded by Jack Jones in 1966
Hear Elvis's version on: Elvis as Recorded at Madison Square Garden; Walk A Mile In My Shoes—The Essential 70's Masters Disc 5
This number was written for the 1965 Broadway musical "Man Of La Mancha," in which it was first sung by Richard Kiley. It summed up the ambitions of the show's hero, Don Quixote, the character played by Kiley. In the notes to his "Greatest Hits" LP, Jones says, "I didn't even want to sing the song. I love Richard Kiley, but when I saw the show, I didn't think I could make the song work for me." Jones's version reached #1 in the easy listening chart and #35 in the pop chart of the USA in 1966, earning a Grammy nomination for Best Male Vocal Performance.
The Last Farewell recorded by Elvis on Monday, 2 February 1976;Studio
Written by: Whittaker; Webster
Originally recorded by Roger Whittaker in 1971
Hear Elvis's version on: From Elvis Presley Boulevard, Memphis Tennessee
Yuck! For me (a personal opinion, of course!), this has to be one of the biggest pieces of overproduced false sentimentality that Elvis sang (and I'm a fan!); there isn't a lot of such junk in Elvis's catalogue, I hasten to add! I disliked Whittaker's original and Elvis's is hardly an improvement—"Tomorrow for old England she sails," my foot! Anyway, Whittaker had a radio series in 1971 in Britain and people were invited to send in poems or lyrics, some of which were put to music and performed on the show. "The Last Farewell" was a poem by Ron Webster, a silversmith from Birmingham (England). The number first appeared on Whittaker's 1971 LP, "A Special Kind of Man." The song eventually became a hit single in 1975.
The Lord's Prayer recorded by Elvis on Sunday, 16 May 1971;Informal
Written by: Jesus (?)
Originally recorded by David C. Bangs in 1895
Hear Elvis's version on: A Hundred Years From Now (Essential Elvis Volume 4)
"The Lord's Prayer" is, of course, the prayer prescribed in the Bible. Elvis's version is described in the sleeve-notes of "A Hundred Years From Now" as being an "Informal Performance"—it most certainly is! In 1884 Emile Berlin himself recorded "The Lord's Prayer" on an Edison cylinder for his own purposes. In about 1889 he recorded the prayer again, this time on a 5-inch demonstration disc to show the benefits of his own recording process. The first commercial recording of this prayer seems to have been made by David C. Bangs some time before May 1895 and was issued on at least three different one-sided Berliner 7-inch discs: Berliner 617, together with "Sweet Bye And Bye" as its additional title (presumably two songs on one side); Berliner 618, with "Nearer My God To Thee" as the additional title; Berliner 618(a), with Psalm 100 as the additional title. (The disc shown—rather than the label—is Berliner 618a.)
The Mickey Mouse Club March recorded by Elvis on Tuesday, 1 April 1975;Concert
Written by: Dodd
Originally recorded by Jimmie Dodd And The Merry Mouseketeers in 1955
Hear Elvis's version on: Rockin' With Elvis April Fools Day Vol.2 (Claudia unofficial CD)
Jimmie Dodd was born in March 1910 in Cincinnati, Ohio. He is best known as the host of the Mickey Mouse Club TV show in the second half of the 1950s. Dodd died in Honolulu, Hawaii, in November 1964. His original recording of The Mickey Mouse Club March was released on a 10" 78 RPM EP on the Walt Disney Productions label, number DBR-50. Elvis as a Mousketeer? Yes, and he wore the mouse ears on stage, too! Well, it was April Fool and the man always enjoyed a laugh! Elvis sang the song during the midnight show during a Las Vegas stint; he sang it again during a Lake Tahoe engagement on 9 May 1976—perhaps April Fool's Day was later that year... Neither of his renditions have been released officially, but the first is available on an unofficial CD.
The Most Beautiful Girl recorded by Elvis on Sunday, 27 January 1974;One-liner
Written by: Bourke; Sherrill; Wilson
Originally recorded by Norro Wilson in 1969
Hear Elvis's version on: Real Fun On Stage... And In The Studio (unofficial)
This number was written in 1968 as "Hey Mister, Did You Happen To See The Most Beautiful Girl In The World," which was probably too long to fit on a 45. Norro Wilson helped in the writing and recorded the original version in 1968. The recording was released on the Smash label, number S-2192 that same year. The title on the label was simply "Hey Mister" and the track was issued as the B-side to "Only You (And You Alone)." Charlie Rich had a worldwide hit with the song several years later, including a number 1 in the US C&W charts. Co-writer Rory Bourke also wrote "Patch It Up" and "Your Love's Been A Long Time Coming," both recorded by Elvis. Elvis sang just one line of the song in a concert in the 1970s.
The Titles Will Tell recorded by Elvis on November (?) 1959;Informal
Written by: Underwood
Originally recorded by Barbara Pittman in 1957
Hear Elvis's version on: In A Private Moment
This track is incorrectly listed on Elvis releases as "Number Eight" or "Number 8 On The Jukebox" (presumably because part of the text sounds like "number eight," though it is actually "number A-17"). The correct title is "The Titles Will Tell" and the song was written by Charles Underwood, a Memphian who also wrote "Ubangi Stomp." Barbara Pittman, one of the few women to sing for the Sun label, recorded a version of "The Titles Will Tell" in 1957 or 1958, but the recording was not released until the 2002, when it formed part of a Bear Family compilation. Barbara Pittman deserved more attention and recording success than she received, so I am including her recording here, even though it is reported to have been "just" a demo: it sounds much too good to be a demo. Barbara Pittman died in October 2005. B.J. Thomas recorded his own version of the number for his 1966 album "I'm So Lonesome I Could Cry/Tomorrow Never Comes," using the title "The Titles Tell."
The Twelfth Of Never recorded by Elvis on Friday, 16 August 1974;Studio
Written by: Livingston; Webster
Originally recorded by Johnny Mathis in 1956
Hear Elvis's version on: Walk A Mile In My Shoes—The Essential 70's Masters Disc 5
The melody used for "The Twelfth of Never" is based on the 16th century English folk-song, "I Gave My Love A Cherry" (also known as "The Riddle Song"). Johnny Mathis began his recording career in 1957 and is still recording in the 21st century. His album Johnny's Greatest Hits spent no less than 490 continuous weeks in the Billboard Top Albums Chart, starting in 1958. Elvis's recording was made during studio rehearsals preceding the August Las Vegas shows.
The Whiffenpoof Song recorded by Elvis on Wednesday, 23 October 1968;Studio
Written by: Sculls; Minnigerode; Pomeroy
Originally recorded by Rudy Vallee in 1937
Hear Elvis's version on: Double Features: Live a Little, Love a Little; Charro!; The Trouble With Girls; Change of Habit
Guy Sculls (a Harvard man!) wrote the music in 1894 and words were added in 1908 by Meade Minnigerode and George Pomeroy for the Whiffenpoofs, a group of songsters made up of Yale students. Apparently, the name of the song is derived from the name of the Yale society that adopted the number as its theme song (and they took their name from that of an imaginery character in the operetta "Little Nemo"). Rudy Vallee was a Yale graduate and remembered the song from his college days, when he was a member of the Whiffenpoofs in 1927. Elvis's version was recorded in medley with "Violet (Flower of NYU)."
The Wonder Of You recorded by Elvis on Wednesday, 18 February 1970;Concert
Written by: Knight
Originally recorded by Ray Peterson in 1959
Hear Elvis's version on: On Stage; Walk A Mile In My Shoes—The Essential 70's Masters Disc 1
Apparently written by Baker Knight for Perry Como, but then given to Ray Peterson, who scored a Top 30 US hit in the summer of 1959 (apparently, Ray had a 4 1/2 octave range at the time). RCA reissued Ray's version in 1964, when it reached number 70 in the US Pop charts. Elvis's version reached considerably higher. Peterson himself relates a telling tale: "He [Elvis] asked me if I would mind if he recorded 'The Wonder of You.' I said, 'You don't have to ask permission; you're Elvis Presley.' He said, 'Yes, I do. You're Ray Peterson.'" Peterson died in January, 2005. Note that the version on the CD "ELV1S 30 #1 Hits" is not that which was released as a single or used on the albums above; instead, it is an inferior version—apparently the compilers didn't notice this error, as there is no indication in the liner notes of it not being the #1 hit version!
There Goes My Everything recorded by Elvis on Monday, 8 June 1970;Studio
Written by: Frazier
Originally recorded by Ferlin Husky in 1965
Hear Elvis's version on: I'm 10,000 Years Old: Elvis Country; Walk A Mile In My Shoes—The Essential 70's Masters Disc 1
Ferlin Husky was born on 3 December 1927 in Missouri, USA. Husky's first recordings were made about 1950 for Four Star Records, singing under the name He signed a recording contract with Capitol in 1952 or 1953 (sources differ). Now singing as both Ferlin Husky and Simon Crum, Husky had numerous hits in the second half of the 1950s until the mid-60s, followed by fewer and smaller successes. He recorded "There Goes My Everything" in 1965, releasing it in May 1966 on his "I Could Sing All Night" LP. "There Goes My Everything" became really well known, however, when Jack Greene's recording of it made a big impact not only on the charts, where it reached the top of the US Country Chart, but also on the 1967 "1st Country Music Association Awards," where it was voted Single of The Year and Song of The Year.
There Is No God But God recorded by Elvis on Wednesday, 9 June 1971;Studio
Written by: Kenny
Originally recorded by Bill Kenny in 1966
Hear Elvis's version on: Amazing Grace (CD 2)
The Ink Spots started performing together in 1934. Two years later, Bill Kenny, who became the voice of the Ink Spots, joined and they then went from strength to strength. After an argument in 1951, Bill Kenny's was the only voice heard on subsequent Ink Spots recordings made for the Decca label. Some sites list 1951 or 1952 as the date for Kenny's original recording of "There Is No God". However, I have been unable to confirm this date. Indeed, I have found evidence that the number was copyrighted only in 1963 and the earliest release by Kenny that I am able to find is on the 1966 Dot album, "Remember Me" (DLP-3738/25738).
There's A Honky Tonk Angel (Who Will Take Me Back In) recorded by Elvis on Saturday, 15 December 1973;Studio
Written by: Seals; Rice
Originally recorded by Troy Seals in 1973
Hear Elvis's version on: Promised Land
Co-writer Troy Seals recorded this song for his debut album "Now Presenting Troy Seals." Conway Twitty took the number to the top of the US country charts. Cliff Richard's version was withdrawn from the UK market as soon as Cliff discovered exactly what a Honky Tonk Angel was! Seals also wrote "Pieces Of My Life," recorded by Elvis.
There's No Place Like Home recorded by Elvis on Tuesday, 4 December 1956;Informal
Written by: Payne; Bishop
Originally recorded by John Yorke AtLee in 1891
Hear Elvis's version on: The Complete Million Dollar Session
This number is also known as "Home Sweet Home." Originally an operatic aria from Sir Henry Bishop's largely forgotten opera "Clari," also called "The Maid of Milan," with words by John Payne. The tune was partly based on a Sicilian Air. The song was the first popular tune to become a "hit," being the first to be intentionally sold so that the "ordinary" person could play it at home (we're talking about the early 19th century here, remember—that's 18.., incidentally!). Rossini seemed to like it, too, for he used the tune in his rather better-remembered "Barber of Seville"—more opera! AtLee, also known as "Whistling John Atlee" is sometimes labelled "the first recording star." He was a governmet clerk and an amateur "artistic whistler" when Columbia began recording in Washington in 1889: AtLee was one of their first signings. He made the original whistling solo recording of "Home Sweet Home" as a wax cylinder for Columbia in 1891. On 24 September, 1898, he rerecorded the number, which was released on a 7-inch disc, Berliner 433. The earliest vocal recording dates from some time before April 1899, was performed by Mabel Casedy, and was released on Berliner 393.
There's No Tomorrow recorded by Elvis on April 1959 (or later);Informal
Written by: Hoffman/Corday/Carr
Originally recorded by Tony Martin in 1949
Hear Elvis's version on: Platinum: A Life In Music Disc 1
This was a version of "O Sole Mio," the song Elvis recorded as "It's Now Or Never." Elvis's home recording, made in Germany during his military service, together with "I'll Take You Home Again Kathleen," "I Will Be True," "It's Been So Long Darling," and "Apron Strings" was released as "Bad Nauheim Medley" on "Platinum: A Life In Music" in 1997. Tony Martin was born Alvin Morris on 25 December, 1913, in San Francisco. He became involved with popular music already in his school and college days. In the 1940s and 1950s he enjoyed some popularity as a radio peronality. His recording career began in earnest in the mid-1940s (an earlier attempt having been cut short by WWII), when he signed with Merury Records. Success on that label prompted RCA Victor to take him over in 1947. He recorded the original version of "There's No Tomorrow" in 1949, releasing it on RCA Victor 20-3582 (78 rpm) and 47-3078 (45 rpm). The number reached number two on the Billboard charts, with a run of 27 weeks. Tony Martin died on 27 July, 2012.
This Time recorded by Elvis on Monday, 17 February 1969;Informal
Written by: Moman
Originally recorded by Thomas Wayne in 1958
Hear Elvis's version on: From Nashville To Memphis (Essential 60's Masters) CD 5
Chips Moman wrote this song and went on to have his own recording studio and production company in Memphis. It was at this studio that Elvis recorded some of his very finest work—and for those of you who think that Elvis died in the army, listen to his late 60's work, especially the magnificent "From Elvis In Memphis" LP/CD, and be impressed! Elvis was recorded singing part of this song in combination with "I Can't Stop Loving You" during a session at Chips' studios. Thomas Wayne was born Thomas Wayne Perkins in 1940, in Batesville, Mississippi. He was the brother of Luther Perkins, guitarist for Johnny Cash. Wayne's original recording of "This Time" was first released in March 1958 on the Fernwood label, number 106, and again a few weeks later on Mercury 71287X45. Thomas Wayne died in 1971.
This Train recorded by Elvis on Saturday, 24 July 1971;One-liner
Written by: Traditional
Originally recorded by Florida Normal Industrial Institute Quartet in 1922
Hear Elvis's version on: Saturday Night Special (unofficial CD)
This title is not listed on the tracklist of the CD indicated, nor on any other Elvis release. However, during this particular recording, Elvis demonstrates the origins of "My Babe" (see its own entry) by singing a full couplet of the song that was more than likely its influence—"This Train" —during a Lake Tahoe concert. The version of the song recorded by the Florida Normal Industrial Institute Quartet in October 1922 was called "Dis Train" on its Okeh 40010 release, which did not appear until 1924.
Three Corn Patches recorded by Elvis on Saturday, 21 July 1973;Studio
Written by: Leiber; Stoller
Originally recorded by T-Bone Walker in 1973
Hear Elvis's version on: Raised On Rock
Aaron Thibeaux Walker—the "T-Bone" is a corruption of Thibeaux—was born in 1910 in Linden, Texas. Under the name Oak Cliff T-Bone, he recorded his first tracks in 1929 for Columbia Records and can be regarded as the first electric bluesman, a great influence on the likes of B.B. King, Robert Cray and Stevie Ray Vaughn amongst many others (even Chuck Berry admits to being influenced). His original recording of "Three Corn Patches" was part of his 1973 album, "Very Rare" (Reprise 2XS 6483), which was produced by Jerry Leiber and Mike Stoller, who also wrote three of the ten tracks on the album. T-Bone died in 1975. The last Leiber-Stoller number Elvis recorded in a studio?
Thrill Of Your Love recorded by Elvis on Monday, 4 April 1960;Studio
Written by: Kesler
Originally recorded by Carl McVoy in 1958
Hear Elvis's version on: Elvis is Back!; The Essential 60's Masters 1, CD1
Stan Kesler wrote five songs recorded by Elvis: "I'm Right, You're Left, She's Gone," "I Forgot To Remember To Forget," "If I'm A Fool For Loving You," "Playing For Keeps" and this gospel-like "Thrill Of Your Love." Carl McVoy was an older cousin of Jerry Lee Lewis and seems to have given him some early piano-playing lessons! His 1958 version of "Thrill Of Your Love" was called "A Woman's Love" and remained unissued at the time, but has since appeared on compilations.
Tiger Man recorded by Elvis on Thursday, 27 June 1968;Studio
Written by: Louis; Burns
Originally recorded by Rufus Thomas, Jr. (but see note on Joe Hill Louis) in 1953
Hear Elvis's version on: Elvis Sings Flaming Star; Walk A Mile In My Shoes—The Essential 70's Masters Disc 4
Rufus Thomas was born on 26 March, 1917, in Cayce, Mississippi. He moved to Memphis when he was about three years old. By the time he was a young teenager, he was already acting as master of ceremonies for talent shows on Beale Street. His academic studies seem not to have been neglected, however, for he started studying at the Tennessee A&I University, but shortage of funds forced him to leave in order to pursue a career as a full-time entertainer and presenter of new talent (he discovered B.B. King, Bobby Bland, and Johnny Ace). He began writing and performing his own songs in the 1940s and in 1950 made his first recording. By 1953 he was recording for Sam Philips's Sun Studio. Rufus Thomas's release prior to "Tiger Man" was also animalistic — "Bear Cat," an answer-song to "Hound Dog." Joe Hill Louis (or was it Lewis?), one of the writers of "Tiger Man," played on the original recording, though it was credited to Rufus Thomas. The other name in the writing credit, Burns? Well, that was Sam Phillips getting in on the deal, but using his wife's maiden name (she was Rebecca Burns) instead of his own family name. "Tiger Man" had earlier been recorded for Sun by Joe Hill Louis himself on 17 November 1952, but his recording was not released until it appeared on a compilation in 1986. A recording of Elvis rehearsing the number, made on 25 June 1968 has also been released on the set, "Platinum, A Life In Music." Rufus Thomas died on 15 December, 2001.
Time Has Made A Change In Me recorded by Elvis on Friday, 31 March 1972;Informal
Written by: Frye
Originally recorded by JD Sumner And The Stamps Quartet in 1964(?)
Hear Elvis's version on: The Complete On Tour Sessions Vol.2 (unofficial release)
Harkin Frye copyrighted this number in 1948, so it is possible that it was recorded before JD Sumner and The Stamps recorded it for inclusion in their 1964 album, "Go Ye." The number is often listed as "traditional," but this seems not to be the case (indeed, numerous composer credits can be found, but the consensus seems to be in favour of Harkins Frye, even though his surname is sometimes written "Freye"). (Note that the Jimmy DeBerry number, "Time Has Made A Change" is a completely different song.)
Tiptoe Thru The Tulips recorded by Elvis on Saturday, 29 June 1968;One-liner
Written by: Dubin; Burke
Originally recorded by Nick Lucas in 1929
Hear Elvis's version on: Elvis '68 Comeback Special DeLuxe Edition (DVD)
Published in 1926, the song was first used in the 1929 film, "Gold Diggers Of Broadway," in which it was sung by the very popular "Singing Troubadour," Nick Lucas, who made the original recording of the number in May of that year. The track, with its full title of "Tip-to Thru The Tulips With Me," was released on Brunswick 4418. Nick Lucas was born Dominic Nicholas Anthony Lucanese in 1897. This number was his greatest success, selling over two million copies. Lucas was still active in 1975, when he recorded songs for the soundtrack of "The Day Of The Locust." Lucas died on 28 July, 1982. Nowadays the number is probably more associated with one of pop music's more eccentric characters, the late Tiny Tim, who had a hit with it in 1968. His version sounds inspired by Lucas's original. Elvis sang just a few lines of the song during the filming of his 1968 Singer TV Special.
Today, Tomorrow And Forever recorded by Elvis on Thursday, 11 July 1963;Studio
Written by: Giant; Baum; Kaye
Originally recorded by Frank La Forge in 1911
Hear Elvis's version on: Viva Las Vegas EP; Double Features: Viva Las Vegas & Roustabout
Hungarian-born piano virtuoso Franz Liszt wrote three versions of "Liebestraum" between 1847 and 1849, finally publishing in 1850. The third version, "Liebestraum No 3 in As-dur opus 62," became the best known and it is on this version that "Today, Tomorrow and Forever" is based. I have been unable to verify earlier claims of an original recording dating from 1910 (the recording of "Liebenstraum" from that year by the Johann Strauss Orchester is of a different tune). Frank La Forge's piano solo recording was made on 24 May, 1911, and released as a 12" disc on Victor 70065. Elvis's original release was a solo number, but an interesting duet featuring Elvis with Ann-Margret, who co-starred with him in "Viva Las Vegas" can be found on the 4-CD set, "Today, Tomorrow And Forever."
Tomorrow Is A Long Time recorded by Elvis on Thursday, 26 May 1966;Studio
Written by: Dylan
Originally recorded by Ian & Sylvia in 1963
Hear Elvis's version on: From Nashville to Memphis (3)
Ian Tyson and Sylvia Fricker were Canadian folk singer/songwriters, who together formed the duo Ian & Sylvia. Their original recording of Dylan's "Tomorrow Is A Long Time" appeared on their 1963 (some sources say 1964) album, "Four Strong Winds" (Vanguard VRS-9133/VSD-2149). Bob Dylan's own version of this beautiful song did not appear until 1971. Elvis's superb version was hidden as a "bonus song" on the film LP "Spinout"—a real scandal that such a track should have been reduced to that status and therefore still remains unknown to the general public. (The same happened with "Suppose" of course!)
Tomorrow Never Comes recorded by Elvis on Sunday, 7 June 1970;Studio
Written by: Tubb; Bond
Originally recorded by Ernest Tubb in 1944
Hear Elvis's version on: I'm 10,000 Years Old: Elvis Country; Walk A Mile In My Shoes—The Essential 70's Masters Disc 3
Ernest Tubb was born in Crisp, Texas, in 1914. His big success came with his self-penned number, "Walking The Floor Over You" in 1942, a million-seller that led to him joining the Grand Ole Opry in February 1943. Tubb's original version of "Tomorrow Never Comes" was recorded in 1944 and released as a single on Decca 6106 the following year. Elvis's moody, dramatic interpretation of "Tomorrow Never Comes" contrasts greatlt with Tubb's inappropriately jaunty original version. There's another connection between Ernest Tubb and Elvis, apart from this song: Tom Parker, Elvis's (in)famous manager, acted as one of Tubb's advance promo men at the time he made his original version of "Tomorrow Never Comes." Ernset Tubb died in September 1984.
Tomorrow Night recorded by Elvis on Friday, 10 September 1954;Studio
Written by: Coslow; Grosz
Originally recorded by Henry Russell and His Romancers in 1939
Hear Elvis's version on: Elvis For Everyone; The Sun Sessions CD; The Complete 50's Masters 1
This track was first released on the "Elvis For Everyone" LP in 1965, 11 years after its original recording, which is to be found on the collection "The Sun Sessions." The '63 release contains overdubs. Henry Russell and His Orchestra recorded their version of "Tomorrow Night" on 8 August 1939, the day before Horace Heidt made his more famous version. Russell recorded with a hodge-podge of a band, often, it seems, using members of Horace Heidt's own orchestra, for which Russell was vocalist. Other names that Russell recorded under were Henry Russell and His Orchestra and Henry Russell and His Mystic Music. The original was released on Vocalion 5090. Russell might well have had the original version, but Elvis's interpretation sounds as if he was more familiar with Lonnie Johnson's 1947 recording of the number. Wilhelm Grosz was also known as Hugh Williams (and André Milos) and he worked with Jimmy Kennedy to produce "Harbour Lights," another number sung by Elvis. Grosz was born in Vienna in 1894. After a full classical training and enormous success in that field, he moved to England in 1934 and from there to the USA in 1939, where he died just three months later, in December of that same year.
Tonight Carmen recorded by Elvis on Thursday, 4 June 1970;One-liner
Written by: Robbins
Originally recorded by Marty Robbins in 1967
Hear Elvis's version on: Essential Elvis Vol.4 (A Hundred Years From Now)
Marty Robbins was born in Arizona in 1925. After a hard childhood, he joined the US Navy, where he first dabbled in music and songwriting. After leaving the navy in 1946, he built a local reputation as a performer, eventually signing with Columbia in 1951. A waning career was revived with his cover of Elvis's own cover of Crudup's "That's All Right, Mama" at the end of 1954. He went on to become a regular country hit-maker and songwriter (including "You Gave Me A Mountain," also recorded by Elvis). Marty Robbins was awarded the first ever Grammy for a country song, "El Paso," in 1961. He was elected to the Country Music Hall of Fame in 1982, the year in which he died. As well as being a huge country artist, Robbins was also a keen stock-car racing driver. Elvis is heard singing just the first line of the song before going into "A Hundred Years From Now." The song is not listed in the CD playlist.
Tonight Is So Right For Love recorded by Elvis on Wednesday, 27 April 1960;Studio
Written by: Wayne; Silver; Lilley
Originally recorded by Friedrich Kark in 1906
Hear Elvis's version on: G.I. Blues (non-european releases)
The melody is based on (well, copied from...) "Barcarolle" by Jacques Offenbach. For copyright reasons, this track couldn't be released in Europe, so Wayne, Silver and Joe Lilly altered their original lyrics to fit a similar melody taken from "Tales From The Vienna Woods" by Johann Strauss, calling the song "Tonight's All Right For Love." Copyright problems did not affect release elsewhere in the world, apparently. Indeed, the Barcarolle melody had previously been recorded in a "jazzed up" fashion by pianist Frankie Carle and His Sunrise Serenaders in 1940, in purely instrumental fashion. It was an original arrangement by Carle. Carle's version was released on a single with the band's version of Rachmaninov's "Prelude in C sharp minor" (opus 3, No. 2) on the flip. The record was released by Columbia on #35573. The original recording of the standard music seems to have been made in Berlin in 1906 by Friedrich Kark on Odeon X34630.
Tonight's All Right For Love recorded by Elvis on Saturday, 6 May 1960;Studio
Written by: Wayne; Silver; Lilley
Originally recorded by Metropolitan Orchestra in 1901
Hear Elvis's version on: Elvis: A Legendary Performer Vol.1
Because of copyright problems in Europe with the melody used for "Tonight Is So Right For Love", the words originally written for that song were adapted to fit the similar melody of Opus 325 of "Geschichten aus dem Wienerwald" ("Tales From The Vienna Woods") by Johann Strauss, written in 1868. The recording by the Metropolitan Orchestra was made for Victor on 17 January, 1901 and was probably issued in 1902—unclear records seem to indicate that 100 copies of the 7-inch disc were received from the pressing plant that year. Records are equally unclear as to where the recording was made, though this was likely to have been at the Johnson Factory Building, Camden, studio. In any case, the number was released on Victor A-396, a 7-inch single-sided pressing. The Metropolitan Orchestra was active in the recording studio from June 1900 until May 1906, with its peak ending in July 1903.
Too Much recorded by Elvis on Sunday, 2 September 1956;Studio
Written by: Rosenberg; Weinman
Originally recorded by Bernard Hardison in 1955
Hear Elvis's version on: Elvis' Golden Records; The Complete 50's Masters 2; ELV1S 30 #1 Hits
Hardison was a flamboyant singer and pianist who recorded the original version of "Too Much" two years before Elvis took it to the top of the charts in 1957. The recording was made by Tennessee/Republic co-founder Bill Beasley and released on Republic 7111.The Louise Brook's Band provided the backing for Hardinson. It seems that Beasley and his wife, Joan Norris, wrote the number, but publishing deals and lawsuits led to the credits going to the song's publishers, Lee Rosenberg and Bernard Weinman. Lee Rosenberg was a former secretary of Bill Beasley's; her share of the songwriting credits were passed to Elvis.
Too Much Monkey Business recorded by Elvis on Monday, 15 January 1968;Studio
Written by: Berry
Originally recorded by Chuck Berry in 1956
Hear Elvis's version on: From Nashville to Memphis (3)
Chuck Berry was born Charles Edward Anderson Berry on 18 October, 1926, in St Louis, Missouri. He was introduced to music from a young age at school and church. In the early 1950s he joined Johnnie Johnson's band and in 1955 met Muddy Waters, who suggested he contact Chess Records. As a result, Berry recorded "Maybellene" for that label, the first of a succession of hits that included "School Days," "Rock and Roll Music," "Sweet Little Sixteen," "Johnny B. Goode," as well as "Too Much Monkey Business," which he recorded on 16 April, 1956. The number was released on the Chess single catalogue number 1635. Elvis covered numerous Berry numbers — see also "Brown Eyed Handsome Man," "Johnny B. Good," "Long Live Rock And Roll (School Days)," "Maybellene," "Memphis, Tennessee," "Promised Land."
True Love recorded by Elvis on Saturday, 23 February 1957;Studio
Written by: Porter
Originally recorded by Bing Crosby and Grace Kelly in 1956
Hear Elvis's version on: Loving You; The Complete 50's Masters 3
"Tru Love" featured in the 1956 MGM film "High Society," one of the most popular Hollywood musicals of the 1950s, a remake of the 1940 film "The Philadelphia Story," which itself was based on the Broadway play of the same name. Cole Porter wrote the music and lyrics to the songs featured in "High Society" and "True Love" was sung by Bing Crosby and Grace Kelly. This was Kelly's last movie appearance before she married Prince Rainier of Monaco. The recording was made on 22 January, 1956 (other sources give 9 February and 22 February, 1956, as the recording date), and was released on Capitol F3507 in August of that year. The first record release of the number, however, was by Jane Powell, also in 1956. Her recording was not made until June, but was released first, in July, on Verve V-2018. Elvis's version appeared on the soundtrack album of his second film, "Loving You."
True Love Travels On A Gravel Road recorded by Elvis on Monday, 17 February 1969;Studio
Written by: Owens: Frazier
Originally recorded by Duane Dee in 1968
Hear Elvis's version on: From Elvis in Memphis; From Nashville to Memphis (4)
Duane Dee was also the first person to record the very well-known country classic, "Before The Next Teardrop Falls," which he did in 1967. "True Love Travels..." is no slouch in the country stakes, either, having been recorded by The Highwaymen (Waylon Jennings, Kris Kristofferson, Willie Nelson and Johnny Cash) as well as less obvious candidates as Welshman Shakin' Stevens, Nick Lowe and The Grateful Dead!
Trying To Get To You recorded by Elvis on Monday, 11 July 1955;Studio
Written by: Singleton; McCoy
Originally recorded by The Eagles in 1954
Hear Elvis's version on: Elvis Presley (Rock 'n' Roll no.1); NBC-TV Special
Elvis tried recording this number during a February 1955 Sun session, but the result was unsatisfactory and that particular track has not resurfaced since. Several months later a new, this time successful attempt was made and the number was considered for release as a Sun single, though this never happened. Instead, RCA released the number on its own label, having taken over the track as part of their deal with Sun when they bought out Elvis's contract. The Eagles' recording was released in mid-1954 on Mercury 70391. (As an aside, it's interesting to note that Roy Orbison also recorded this track in 1955, when it was released on the Je-Wel label as the B-side of his original recording of "Ooby Dooby," a track he would later re-record at Sun.)
Tumblin' Tumbleweeds recorded by Elvis on ca.1966;Informal
Written by: Nolan
Originally recorded by Sons Of The Pioneers in 1934
Hear Elvis's version on: The Home Recordings
Writer Bob Nolan was leader of the Sons Of The Pioneers.The lead singer on the original track is Leonard Slye, later to be better known as Roy Rogers. Their original recording was released on Decca 5047 in the USA, with "Moonlight On The Prairie" on the B-side. The title used on this original release was the less colloquial "Tumbling Tumbleweeds." It seems that Elvis also recorded the Pioneers' "Cool Water," but this has yet to be found.
Turn Around, Look At Me recorded by Elvis on Saturday, 13 November 1971;Concert
Written by: Capehart
Originally recorded by Glen Campbell in 1961
Hear Elvis's version on: In Dreams Of Yesterday (Memory label, CZ)
The original version of "Turn Around, Look At Me" was Campbell's first hit, released on Crest 45-1087 in October, 1961. The Vogues made the Top Ten with the number in 1968. Campbell was a frequent session musician in Nashville and even played on some Elvis recordings, notably those from the sessions that gave us the excellent "Viva Las Vegas" soundtrack. Only poor audience recordings exist of Elvis singing this song in concert, the first dating from the 13 November 1971 performance in Dallas, Texas. Another, rather better recording, was made at Asheville on 23 July 1975, as well as numerous other impromptu performances during 1974 and 1975.
Turn Your Eyes Upon Jesus recorded by Elvis on Friday, 31 March 1972;Studio
Written by: Lemmel; Clarke
Originally recorded by Singspiration Quartet with Johnny Hallett in late 1950s
Hear Elvis's version on: Amazing Grace (CD 2)
Helen Lemmel was responsible for over 500 hymns during her lifetime (1864 - 1961). She wrote the hymn "O Soul Are You Weary And Troubled" (the correct title of this number) in 1918, after having read a gospel tract written by Lilian Trotter and based on the biblical passage Mat 4:1-12. It was first published in 1922. The original version by the Singspiration Quartet features Johnnie Hallett on piano and was released on Singspiration S-1070-8-45. Elvis's version was made at an informal studio session during the filming of "Elvis On Tour," sung together with "Nearer My God To Thee." It was not included in the film, and was not released until 1994.
Was Hallett's recording the first? When was it made?contact me.
Tutti Frutti recorded by Elvis on Tuesday, 31 January 1956;Studio
Written by: Labostrie; Penniman
Originally recorded by Little Richard in 1955
Hear Elvis's version on: Elvis Presley (Rock 'n' Roll no.1); The Complete 50's Masters 1
Little Richard was born Richard Penniman on 5 December, 1932, in Macon, Georgia. in 1947 he was spotted by Sister Rosetta Tharpe when he was singing as a warm-up act prior to her concert at Macon City Auditorium. She invited him to sing during the concert. In late 1951 and early 1952 he recorded eight tracks for RCA Victor, but these enjoyed little success and he moved to Peacock Records, recording a further eight numbers with a group he called The Tempo Toppers. Again, success eluded him, so in 1955 he sent some demo recordings to Specialty Records. On 14 September 1955, Little Richard recorded his original version of "Tutti Frutti" for Specialty, which was released as a single in November 1955 on Specialty SP 561 and became an instant hit. Hit after hit followed on both sides of the Atlantic. His chart success faded in the early 1960s, but Little Richard's frantic, raucous style is still remembered and he remains one of Rock'n'Roll's true originals. Elvis covered no less than four Little Richard originals in 1956. In addition to "Tutti Frutti," see also "Long Tall Sally," "Ready Teddy," and "Rip It Up." (A song by the same title was recorded in about 1938 by a duo called Slim & Slam, but it sounds very different indeed and, in my opinion, can't be considered the original of the Little Richard number.)
Tweedlee Dee recorded by Elvis on Saturday, 18 December, 1954 (but see comment!);Concert
Written by: Scott
Originally recorded by LaVern Baker in 1954
Hear Elvis's version on: The Complete 50's Masters 5 (Rare and Rockin')
LaVern Baker's release was called "Tweedle Dee." Elvis did not make a studio recording of the number, but three live versions exist: in addition to that on the set mentioned above, whose sleevenotes indicate not only the date, but also the location as Gladewater, Texas, the CD "Sunrise" has a version from 22 January 1955 (?) and "The First Live Recordings" (and numerous other CDs) reproduce a recording from 30 April 1955, also purporting to have been made in Gladewater, Texas... But there's a problem, for on 18 December 1954, Elvis was appearing at the Louisiana Hayride in Shreveport, so either he was double-dating, or RCA/BMG have the date incorrect in The Complete 50's Masters. Furthermore, Guralnick and Jorgensen's "Elvis Day By Day" provides a list of numbers that Elvis performed on 22 January, 1955—"Tweedlee Dee" is not included! Interestingly, when Elvis appeared in Lubbock in January 1955, he told a young Waylon Jennings that this number would be his next single.
U.S. Male recorded by Elvis on Wednesday, 17 January 1968;Studio
Written by: Hubbard
Originally recorded by Jerry Reed in 1966
Hear Elvis's version on: From Nashville to Memphis (3)
Jerry Hubbard, the author, is the real name of Jerry Reed. Jerry recorded the original of his own composition, "U.S. Male," on 9 September 1966 in RCA's "Nashville Sound" studio in Nashville. The recording was released in February 1967 on his debut LP, "The Unbelievable Guitar And Voice Of Jerry Reed." Reed also wrote "Guitar Man." Both songs were big hits for Elvis. Jerry was born in Atlanta, Georgia, in 1937. He started to play guitar at age eight and was particularly inspired by Merle Travis's "I Am A Pilgrim." He started recording for Capitol in 1955, but with little success, so thathe left the company in 1958. By 1961, Jerry had completed his miltary service (1959 to 1961), during which he played as a member of the army's Circle-A Wranglers band, and had developed his "claw style" method of guitar playing. After a brief and unsuccessful time with Columbia Records, Reed signed with RCA. His first top 20 hit came in 1967 with "Tupelo Mississippi Flash," a song about Elvis. He was voted Instrumentalist of The Year in 1970 by the Country Music Associatiion and won a Grammy for the number "When You're Hot, You're Hot" in 1971. He won two other Grammy awards, together with Chet Atkins, one in 1970 and the other in 1992. In the mid-1970s he began acting in films such as "Smokey And The Bandit" and enjoyed occasional parts for the rest of his life. Jerry Reed died in September 2008. See also "A Thing Called Love," "Guitar Man" and "Talk About The Good Times."
Unchained Melody recorded by Elvis on Sunday, 24 April 1977;Concert
Written by: North; Zaret
Originally recorded by Les Baxter in 1955
Hear Elvis's version on: Moody Blue; The Great Performances
Theme music for the film "Unchained," hence the title, though the song was not written for the film. Todd Duncan performed the song in the film, for which he received an Acadamy Award nomination, but Al Hibbler did so for the soundtrack release. Hibbler recorded that version on 4 February 1955 for the Decca label (29441), but the Les Baxter with orchestra and chorus recorded the original on the Capitol label on 17 January 1955. Jimmy Young reached number one in the British charts of 1955 with his own vocal rendition. It is probably one of the most covered songs ever, with hundreds of different versions made since it first appeared. The Elvis version indicated is the best known of his versions, but an earlier recording by Elvis also exists, dating from 31 December 1976, which can be found on the Follow That Dream collectors label CD "New Year's Eve" 82876 50410-2. Claims by one William Stirrat that he wrote "Unchained Melody" are probably untrue.
Written by: Monroe
Originally recorded by Bill Monroe in 1951
Hear Elvis's version on: unofficial 2-Song CD
"Uncle Pen" is a semi-biographical song about Bill Monroe's uncle and influence, Pendleton Vanderver. There is no absolute certainty that Elvis actually ever recorded this number in the studio. It appeared in the sheet music collection "Elvis' Juke Box Favourites" in 1956 and rumours of a recording made while at Sun continue to do the rounds. However, it does seem probable that a recording of Elvis performing the number live does exist (he is known to have sung it live—he did so on his first appearance at the Louisiana Hayride). A recording has been released on the Suedes label (KEYS 1955-578-1), and when the track was played to Scotty Moore a while back in Denmark, after just a few seconds he said, "It is Elvis and it's me playing the guitar." At least, that's what is written. However, another source indicates that this and the other song on the Suedes release ("Give Me More, More, More Of Your Kisses") are really by Paul Ansell who fronts the group No.9, with some sound effects to "age" the recording.
Until It's Time For You To Go recorded by Elvis on Monday, 17 May 1971;Studio
Written by: Buffy Sainte Marie
Originally recorded by Buffy Sainte-Marie in 1965
Hear Elvis's version on: Elvis Now; Walk A Mile In My Shoes—The Essential 70's Masters Disc 1
UK readers might remember the late 1965 number 19 UK hit version by The Four Pennies (those of "Juliet" fame). Buffy's own version was released as a single in June 1965 on Vanguard 35028, but with little success. Buffy Sainte-Marie was a Canadian of Cree Indian extraction, though she was brought up by foster parents in Massachusetts USA. After leaving university with a PHD in Fine Arts, she became part of the Greenwich Village folk scene and signed with Vanguard Records.
Until Then recorded by Elvis on Saturday, 11 December 1976;Concert
Written by: Hamblen
Originally recorded by Stuart Hamblen With Darol Rice Orchestra and Chorus in 1958
Hear Elvis's version on: Slippin' 'n' Slidin'
This number is incorrectly listed as "(Until the Day) God Calls Me Home" on the unofficial "Slippin' 'n' Slidin'" CD. The original appeared on Hamblen's 1958 LP, "A Visit With Stuart Hamblen" (Sacred LP 8003; in stereo LPS 6009). Stuart Hamblen also wrote "It Is No Secret (What God Can Do)" and "Known Only To Him" and recorded them originally: both numbers were recorded by Elvis.
Up Above My Head recorded by Elvis on Saturday, 22 June 1968;Studio
Written by: Unknown
Originally recorded by Southern Sons in 1941
Hear Elvis's version on: NBC-TV Special
Many sources (and, indeed, her own recordings) list Sister Rosetta Tharpe as reponsible for both music and words for this number. However, Tharpe's own version was only recorded in 1947, whereas the recording by the Southern Sons from 1941 is clearly the same number, even if it has the different title of "Above My Head I Hear Music In The Air." Shortly after William Langford left the Golden Gate Quartet, he joined the Southern Sons. He used his connections to get a recording session for the group, which was held on 25 July, 1941, in the Victor studios in New York. Members of the group were James Baxter (tenor and guitar), Charles Wesley Hill (baritone), and Clifford Givens (bass), as well as Langford himself (tenor). One of the numbers the Southern Sons included at the session was their original version of "Above My Head," which was released that same year on Bluebird B8839.
Violet recorded by Elvis on Friday, 23 August 1968;Studio
Written by: Poulton; Dueker; Lohstroh
Originally recorded by The American Quartet in 1913
Hear Elvis's version on: Double Features: Live A Little, Love A Little/Charro...
Here's a strange little 52-second song from the film "The Trouble With Girls." Strange, not only because of its length, but also because it uses, like "Love Me Tender," the tune of "Aura Lea," the Civil War poem set to music. The original version therefore relates to the earliest known recording of "Aura Lea"—as far as I am aware, nobody recorded "Violet" before Elvis and I don't see why anyone would want to after him... The "violet" here appears to refer to the colour most associated with New York University, hence the reference in the lyrics to "flower of NYU." The song Aura Lea, or Aura Lee, was published and copyrighted in 1861, with words by W.W. Fosdick and music by George Poulton, just as the American Civil War was beginning. Frances Farmer sang "Aura Lea" in the 1936 film "Come and Get It!" and this is often cited as the original version. However, I have been unable to find a record release of her number. Furthermore, "Aura Lea" was given new words in 1865 when it became the graduation song of the West Point military academy. This new version of the song was called "Army Blue" and it is still sung at West Point. Although the earliest recording of "Aura Lea" that I can find dates from 1937 (the Shelton Brothers, released on Decca in 1938), "Army Blue" was recorded already on 25 November 1913 by the American Quartet and released on Victor 17500. Extended information regarding "Love Me Tender."
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